Julie Taymor’s ‘The Tempest’ has failed to woo the masses the way it was expected to do. People had great expectations from the director of ‘Across the Universe’, ‘ Frida’ and ‘Titus’. Though she tried her best to deal with the movie, ‘The Tempest’ could not make a place with the audience like the other movies in her closet did.
The only positive thing about the movie that makes it attractive is the casting of the veteran actress Helen Mirren in the role of Prospera. It is her wonderful performance and gorgeousness that has been able to anchor the movie a bit. The storyline goes like this. Prospera, played by Mirren, is the Duchess of Milan who is under exile and has found some opportunity to take revenge from her enemies.
Prospera is exiled on an island and she has the company of her daughter Miranda (played by Felicity Jones), Caliban (played by Djimon Hounsou) and a mischievous spirit Aerial (Ben Whishaw). She gets the chance of seeking revenge when another ship brings her enemies near to her. Among her enemies is her brother Antonio (played by Chris Cooper), whom she hates, Alonso – the Emperor of Naples (played by David Strathairn), the counselor of the King of Naples Gonzago (played by Tom Conti) and last but not the least Sebastian – the younger brother (played by Alan Cumming).
Prospera’s aim is not only to be free and gain back her title; she also desires to marry her daughter Miranda to Prince Ferdinand (played by Reeve Carney), son of King Alonso. But Caliban plots against her and plans to kill her. He also wants Miranda and thinks that killing Prospera will make him get Miranda as well.
Talking of the acting prowess, all the actors have done their parts quite well. Nothing needs to be said of Mirren. She is the one, who has kept the characters in sync and made the story interesting. All the characters in the side roles have also portrayed their parts to the best abilities. Alfred Molina as the drunken butler Stepahno and Russel Brand as the cowardly tailor Trinculo have a lasting impression on the audience.
Prospero in The Bard’s ‘The Tempest’ was a male figure. However, things have been changed here and the change well appreciated and accepted. The autocratic wizard has been given a new face altogether. The softer side of Prospero has been brought out here, where she seeks the happiness of her daughter Miranda with Ferdinand and wants them to have a happy life. However, the director should have restrained from using those special effects, which had almost marred the movie. The acting cast somehow managed to save it.


